Your brother has been selected to be a sacrifice, and that’s not something that sits right with you. In you go after him, without so much as a weapon by your side. Probably not your best plan. Well, at least the dungeon is only… 100 levels deep. And these aren’t like the floors of your local dying shopping mall, either. Each one has at least one way to kill you, and most have a few. Sometimes you’ll be quickly dodging around fireball traps activated by pressure plates. Other times you’ll be doing the combat dance with some goblins. Most monsters can kill you in a single swipe, so you’ll have to be light on your feet. Luckily there are a few traps you can use to your own advantage if you play things right.
Look, I don’t make the rules. If inkle releases a new game, I’m there. The folks at inkle have a fantastic knack for making narrative adventures that feel so much bigger than the confines of their designs, and Overboard! ($5.99) is no exception. It’s the classic murder mystery set-up: a passenger ship is making its way across the ocean on the way to New York. The night before the ship is set to arrive in port, one of the people on board is killed. Will the murderer be caught, or will they get away with their hideous crime? That’s up to you, but not in the way you might think.
Some games are good. Really good, even, and you know you’ll play them for hours and hours. Other games maybe need a bit of work, a bit of spit & polish, and they could be good. Then there are some games I really want to love and enjoy and recommend but, for one reason or another, I just… can’t. Dungeon of the Endless ($7.99) is one of those. Not because it’s bad, but because it just… doesn’t capture my attention, can’t keep me coming back for run after run, even after months of not playing. It’s not immediately obvious why, either—the art is gorgeous, the soundtrack is good, and the minute to minute gameplay is quite enjoyable too. So what is it? Why, despite owning the game on three different platforms and trying to get into it dozens of times, does it consistently fail to draw me in, push me to really dig in to strategies, and finally beat the game? The answer, I’ve come to find, is simple: The post-run reward loop that gets you to come back for one more floor, to experiment with that thing you just unlocked, or to see if tweaking your strategy just so makes the difference, just… isn’t there.
Dracula. A classic book of desire, and triumph over a great evil. It is not, however, the focus of this review. No, it is merely the inspiration for a board game, one of mystery and deduction, predator and prey. A game that will, without doubt, find its audience with a digital port. What game, you wonder? Why, dear reader mine, none but the Fury of Dracula ($4.99).
One of the cool things about covering one beat for a really long time is in watching developers improve in leaps and bounds over the years. When Valorware first brought 9th Dawn to mobile a whopping seven years ago, it was an impressive throwback to an era of RPGs where the graphics were limited but the worlds seemed nearly limitless. 9th Dawn II ($1.99) arrived a few years later, polishing some rough edges and expanding the possibilities of the world it put in your pocket. Now here in the cursed year of 2020, 9th Dawn III ($9.99) arrives. So many things have changed, but one thing remains the same: the 9th Dawn games are really hard to put down once you get into them.
Now and again, we all grow a little nostalgic thinking of the games we used to play. Be they Diablo, Paper Mario, or, for me, Warcraft III, it’s fun to go back and play them again. Of course, we wouldn’t want to play them exclusively (modern games have made some improvements, after all!) but it is refreshing to note the highlights and draw parallels to the good in modern gaming, as well as the bad.
There are some things that you don’t realize you want until you actually have them, and for me this mobile port of Konami’s classic Castlevania: Symphony of the Night ($2.99) is one of them. This is one of my favorite games of all-time, one that I obsessed over for a couple of years following its release on the PlayStation in 1997. I found every item, uncovered every secret, and squeezed out every last percentage point of map exploration. I’ve replayed it time and again on various platforms and have written numerous pieces about it, with the most recent being less than a month ago.
Incredible Mandy ($2.99) is an adventure through dreams searching for memories lost, people forgotten, and experiences once treasured. It is a third person platformer with a little bit of combat and a whole lot of environmental puzzles in a semi-open world, sprinkled with collectibles to fill in the story. It, in short, looks really, really interesting.
When it comes to space-faring roguelikes on iOS, the gold standard everyone’s heard of is FTL: Faster Than Light, and for good reason. It’s a perfect fit for mobile, and there are very few roguelikes that can compete with it in quality or quantity. While not as well known as FTL, Crying Suns ($8.99) has very similar notes of urgency and mystery.