I never expected to see ActRaiser again. A memorable and successful early release for the 16-bit Super NES in North America, ActRaiser hasn’t had a lot of luck since then. It was followed up by an incredibly misguided sequel that seemingly killed the franchise. Then its developer, Quintet, faded out under mysterious circumstances, taking much of its IP with it. The game’s publisher, Enix, merged with Square and the new company appeared to have little interest in massive chunks of Enix’s historical output. ActRaiser got a Japan-only port of its action stages for feature phones, and a Virtual Console release early on in the Nintendo Wii’s life. And then there was silence.
Some games are good. Really good, even, and you know you’ll play them for hours and hours. Other games maybe need a bit of work, a bit of spit & polish, and they could be good. Then there are some games I really want to love and enjoy and recommend but, for one reason or another, I just… can’t. Dungeon of the Endless ($7.99) is one of those. Not because it’s bad, but because it just… doesn’t capture my attention, can’t keep me coming back for run after run, even after months of not playing. It’s not immediately obvious why, either—the art is gorgeous, the soundtrack is good, and the minute to minute gameplay is quite enjoyable too. So what is it? Why, despite owning the game on three different platforms and trying to get into it dozens of times, does it consistently fail to draw me in, push me to really dig in to strategies, and finally beat the game? The answer, I’ve come to find, is simple: The post-run reward loop that gets you to come back for one more floor, to experiment with that thing you just unlocked, or to see if tweaking your strategy just so makes the difference, just… isn’t there.